Moscow but Dreaming Page 2

  16. The Sea of the Edge (Mare Marginis)

  Here, the horizon is a razorblade, cutting the sky in two, and it bleeds at sundown and sunset. The cliffs are sharp, and the bottom of the sea is filled with jagged shards of broken mirrors.

  Suicides come here, and wait in the piercing wind, looking at the precipitous drop in front of them. They imagine their slow fall and their flesh rent by the teeth of the universe all around them.

  And then they jump. It takes a long time to fall on the Moon, and they see themselves reflected in the broken mirrors below.

  17. The Sea of Cold (Mare Frigoris)

  A long time ago, Emissary Togril sat by the shore of the sea and watched out of his slanted eyes as the sky lit up in streaks of blue and white, and the ribbons of color crackled and danced across the night. The light undulated and grew brighter, then faded and dispersed, like a drop of milk in a water bucket.

  When only a faint glow remained of the former splendor, a weak phosphorescent shadow stretched downward. The air grew colder, and Togril smelled the spicy, sun-heated wormwood and tamarisk. The tentacles of light grew thicker, until white roads stretched between heaven and the lunar steppe.

  Eleven columns of somber riders descended, their horses’ hooves clanking, just above the edge of hearing, on the solid milky surface. Their breath did not cloud the air, and their armor—intricately decorated over the breastplate—was made of green translucent ice.

  The procession of the warriors showed no sign of stemming, and streamed onto the ground. A cheetah sat behind each warrior, their eyes glowing frozen gold, their pink tongues hanging out, as if they had just vaulted into their masters’ saddles after a chase. The leashes chaining the cats to the back bows of the saddles were spun out of thin links of the same green ice as the rest of the tack and armor.

  The first rider approached Togril, and he flinched as a hoof caught him square in the chest. With a sharp stab of cold, the horse’s leg pierced his chest and exited through his back. His scream froze in his throat as one after another spirit passed through him. The passage of the spirits inflicted no bodily harm, except the cold that settled deeper into his bones, so deep that it never left. The Sea too had retained the cold of the passage of dead Persian warriors forever.

  18. The Sea of Serpents (Mare Anguis)

  It is well known that the serpents with female breasts are the deadliest of all. They raise their narrow poisonous heads above the water, and their breasts bob in the waves.

  The travelers know to avoid these monsters when the snakes haul themselves onto the beach and sunbathe under the grey lunar sky. The blue sand of the beach bears the scars in the shape of the snakes.

  When the snakes lay their eggs on the beach, they coil around them in a protective spiral, and wait for the sound of faint cracking. Free of their shells, the newborn snakes drink once of their mothers’ venomous milk, and swim into the sea. And woe is to the swimmer who comes across a mother snake who has just watched her brood disappear under the waves.

  19. The Sea of Islands (Mare Insularum)

  The islands that stud the calm surface of the sea, smooth as green glass, have long beckoned lovers and mariners. People looked at the round and oblong shapes rising from the sea, and dreamed of fragrant woods and glacial lakes, of buzzing of the bees suckling heavy roses, and metallic dragonflies perched atop nodding stems of lilies.

  But the islands are really the humps of ancient monsters with leaden dead eyes and slow, rumbling thoughts. Occasionally, they whisper to each other in softest voices, but they never move or come up for a gulp of air or a taste of fish. They exhale cautiously, and the gentle waves raised by their breath lap at the shores of the islands. They die slowly, too shy to reveal themselves, their embarrassment the foundation of an exquisite illusion.

  No matter how horrifying these monsters are, they know the value of appearing beautiful.

  20. The Sea of Foam (Mare Spumans)

  Everyone knows that when mermaids die they turn into foam, because they have no soul. On the Moon, however, every creature shares the fate of the mermaids.

  The sea brims with multicolored bubbles, each of them reflecting all others for a short moment before bursting.

  They do not visit graves on the Moon. Indeed, there are no graves at all. Those who tire of being dead blink out, and reappear in the Sea of Foam. Everything that has ever existed finds it way here, and the Sea of Foam contains, or will contain in a near future, all of the Moon.

  CITIZEN KOMAROVA FINDS LOVE

  The very little town of N. was largely bypassed by the revolution— the red cavalries thundered by, stopping only to appropriate the ill-gotten wealth of Countess Komarova, the lone survivor of N.’s only noble family. The wealth was somewhat less than the appropriators had anticipated—a ruined mansion and no funds to repair it. The Countess fled to the N.’s only inn, and the red cavalry moved on, but not before breaking all the windows of Komarov’s mansion and allocating it for the local youth club.

  Everyone knows what N.’s youth is like, and by fall most of the Countess’ furniture was turned into firewood, and by mid-December the mansion stood abandoned and decrepit, and a turd frozen to its parquet floors served as its only furnishing and a testament of gloria mundi transiting hastily.

  The countess herself, stripped of her title and now a simple Citizen Komarova, was used to poverty—before the revolution, she made her living as a piano teacher, but that winter, savage and bloody, pianos were turned into firewood, their strings now disembodied garrotes. In search of new means of genteel sustenance, she turned to seamstress shops, but no one was hiring. Nearing despair, she finally settled as a clerk in a consignment shop at the outskirts of N.

  The owner of the shop, a man as old a he was ornery, let her rent the room above the shop, where the wind howled under the roof thatched with a ragtag team of tiles and shingles. There was a small and round metal stove, known colloquially as “bourgeoisie,” as indiscriminate and insatiable as its namesake: it burned books, pianos, furniture, twigs, and entire palmate fir branches, crackling birch logs. It gave back cherry-red heat that spread in waves through the room over the shop, and broke over the stained walls, much like the distant Mediterranean over its rocky shores.

  Citizen Komarova thought of the Mediterranean often— these were the vague memories of early childhood and its naive surprise at the shiny, tough leaves of the olive trees, over the white wide-brimmed hats and mustachioed men on the beach, over the mingling of salt and sun; memories almost obscene in the frozen and landlocked N. It was the only frivolity she allowed herself, and only when the metal stove made the air shimmer with concentrated heat before it dissipated in the cold cold winter nights. Then, Citizen Komarova hugged her bony shoulders, wrapped in the spiderweb of pilling, black crocheted shawl over the spiderweb of wrinkles etched in her dry parchment skin, and rocked back and forth on her bed and cried. The rusted springs beneath her, wrapped in a thin layer of torn and colorless rags, cried in unison.

  During the day, when she was done crying over her lost Mediterranean family vacation, she minded the shop downstairs. It was a single room, but much larger than her garret above it, and its contents ebbed and flowed depending on the fortunes of the citizens of N.

  By the middle of January, the lone room, echoey just this past December, became stifled with all the things people brought in, hoping that Citizen Komarova would somehow manage to sell them to someone more fortunate, even though whose fortunes were good remained to be seen. There were leather-wrapped yokes the collectivized farmers managed to keep for themselves and now were forced to let go off by bitter cold and steadily declining expectations; there were books with pages forever gone to hand-rolled cigarettes and missing title plates. Chipped china, pockmarked kettles, knives, scissors, ribbons, baskets, and moth-ravaged furs. Whatever nobility survived in the environs had gravitated towards N., bringing with them heavy brocade and monogrammed silverware. Several fox skins, both platinum and regular, stared at
Citizen Komarova with their ambercolored glass eyes from dusty corners. She moved between the shelves, adjusting this and that, and casually swatting at pottery with a feather duster.

  The first customer of the day surprised her—he stomped his feet and clapped his hands on the threshold, dislodging a small mound of snow off his boots held together by long cloth wrappings and his long military coat, its chest although still covered in white powder sporting recognizable chevrons and ribbons of the red cavalryman, one of Budyonny’s fighters. His hat and a red star decorating it gave Komarova momentary chills and her knotted fingers curled around the feather duster defensively. She took a deep breath and stepped forth from behind the shelves, to meet the gaze of the cavalryman’s clear eyes. The dead foxes stared too, transfixing the people in the crosshairs of their amber pupils.

  “What can I do for you?” said Komarova. The flame of the kerosene lamp on the counter guttered in the draft from the door, and the cavalryman shut it without being told to.

  “I have something I’d like to pawn,” he said.

  “It’s a consignment store,” she answered. “Which means we can sell it for you, but we cannot offer you any payment straight away.”

  “I can take it to the market then.”

  “You could, I suppose.”

  The two of them considered each other at length. “What is it then?” citizen Komarova asked eventually; by then, the shadows had grown longer, and the fox eyes glittered in their corners.

  The cavalryman dug through the deep pockets of his overcoat. The snow on his clothes had melted, and only tiny droplets clung to the tips of the stray woolen hair on his sleeves, like fur of a cat that came in from the rain and was about to irritably shake off the moisture. From his pocket, the man extracted four horseshoes from his pockets. “For good luck,” he said.

  “I can give you a copper,” said citizen Komarova. “It’s a deal.” The man smiled for the first time then, and she was startled by the glint of his teeth in the shadow of the shaggy unkempt beard, which looked unintentional to begin with. When he smiled like that, his eyes sunk and his mouth pulled back, and she felt a chill. She wrapped her shawl tighter still, and offered the payment on the palm of her hand.

  He took it with cold fingers and was gone on a swirl of the coat, just as the four heavy horseshoes tumbled ringing to the floor. Citizen Komarova picked them up gingerly, and spent the rest of the afternoon stacking and unstacking them, and sometimes hanging them on the nails over the door for good luck. She was glad when the sun set and no one stepped foot into the shop for the rest of the day, leaving her to her thoughts and the visibly unlucky horseshoes.

  The rest of January passed in the sparse slow sifting of snow from the clouds, grey and heavy like quicksilver. The stock of the consignment shop increased: every dress and fur coat and petticoat and necklace, every ring and feathered hat had made its way there, as the former nobility grew hungrier and less optimistic about the possible return of the old order of things. The corners were now filled with rustling of lace and slow undulations of peacock feathers, their unblinking green and azure eyes nodding in the drafts. Countess Komarova, who in her entire lifetime never experienced such luxury, stroked the ermine muffs and guarded them jealously from marauding moths.

  She picked up delicate dresses, the lace ruffling on the chest white as foam, or the ones that were light as air, held together by the silken golden stitching. These were the dresses for waists much younger and slimmer than that of the former countess, their skirts long and stiff with golden thread, puffed with petticoats. And still she held them to her bust and looked at herself in the mirror, parallel wrinkles running along her cheeks made more severe by the ruffled collars, by the artificial flowers, feathers, colored buttons. Her eyes shone at her from the mirror and she reminded herself of a hungry cat, not a clear-eyed child of the Mediterranean vacation.

  The last day of January brought with it a howling wind, a bitter cold, and another visit from the cavalryman. Citizen Komarova was a bit puzzled by his repeat visit—unlike most, he was already paid for his horseshoes, and the army of which he was a part had moved on a long time ago, so there was no reason for him lingering behind. With him, he brought the cutting wind and the sense of great desolation. As citizen Komarova stared into his eyes, she felt the awful sucking void tugging at her soul, and the whispers ebbed in her skull like the distant Mediterranean in a pink shell pressed against her child memory ear.

  “I have something else,” the cavalryman said.

  “A copper,” she answered without even asking what it was, as if some force nudged her from the inside.

  His gaze lingered on her face and traveled down, softening. “It becomes you,” he said, his hand motioning vaguely at her chest.

  She looked down and blushed, suddenly aware of the lace shawl over the dress that neither belonged to nor fit her.

  His large, square hand touched her elbow. “I’m Vasily Kropotkin,” he said.

  “Like the Prince.”

  “Exactly.”

  “What do you have for me then?”

  Metal clanged to the ground—two sabers in rusted sheaths and a horseshoe, a set of gold-embroidered epaulettes and several medals citizen Komarova did not recognize. “Surely it’s worth more than just one copper,” Vasily said.

  She gave him two. Her fingers, gathered into a pinch as if for a blessing, touched his palm as if it was a holy font, and again her mind was momentarily invaded by whispers and bubbling, hissing screams. She took a step back and he disappeared again— she could never see him actually leave, it was him and then the opened door and a swirl of snow, the ringing of his spurred boots on the frozen ground, his long coat sweeping the path in the snow. And then she was alone, among the glassy staring eyes of foxes and the silently accumulating dust. As soon as the sun went down, she fled up the stair into her small, virginal apartment where the heat from the potbellied stove chased away her fears that crowded so densely and so coldly in the shop downstairs, where the dresses rustled and the imaginary whispers grew louder after the sundown.

  Vasily came back in the middle of February, when the wind chased the twisting snow serpents close to the cold ground, and the icicles fringing every doorway and window frame pointed down like transparent daggers, threatening to break off and pierce at any moment. The door clanged open, and the cavalryman—gaunter and sadder but unmistakably himself— smiled at her. His lips, bloodless and thin, pulled away from his teeth, and his cheekbones became suddenly prominent, and the thousand ghost eyes—sharp as the icicles sparkling along the top edge of the doorway—looked through his, grey and cold.

  Citizen Komarova felt a chill, and yet her fingers reached out, a greening copper held between them. She touched his callused palm before he had a chance to chase horrors from his eyes and he smiled again, warming, becoming human at her mere touch. The foxes in the corners reared and whispered, baring their teeth, their weak dangling paws clenching, their eyes clear amber and malice. She paid them no mind.

  “What do you have for me today?”

  He gave her a burlap sack, its bottom dark and crusted. She looked inside, into the pink lace of frozen frothy blood to see a horse’s leg, chopped off at the knee, its fetlock covered in long matted hair. She noticed round holes studding the circumference of the hoof and no horseshoe.

  She looked away swallowing hard, fighting back a wave of nausea, a riptide of swirling blackness that edged into the field of her vision threatening to swallow it whole. His callused, working-class hand took hers, steadying her on her feet, and she blushed bright-crimson at his touch.

  “I cannot give you more than one,” she said.

  “It’s all right.” He smiled. “I will bring more.”

  And before she could protest, before she could stop him, he was gone.

  She had disturbing dreams that night—her usual memories of that one perfect summer overlapping over the more desolate and recent events, and one moment it was warm sand and smell of olive blo
oms, the next she felt callused working-class genitals pressed against the small of her back and she arched, sighed, and woke up, blushing, too hot to go back to sleep. And yet soon the waves pounded and the bed rocked under her, with the rhythm of the sea or something even more forgotten and unknowable, the warmth, the salt.

  The shop downstairs caught the mild contagion of her dreams, the faint malaise—it behaved in the mornings, but as soon as darkened afternoons demanded that she lit the kerosene lamp on the counter, the shadows agitated the dresses, and the fox skins, shameless, wandered around the shop on their soft woolen legs. The severed horse’s leg thumped on the hardwood tiles haughtily, searching for its missing horseshoe. The lace unraveled and the dresses paired up and twirled in a dance or flailing panic, and fur coats chased away the moths with their long sleeves and then silently stalked the fox skins, who had the advantages of having body shapes rather than being flayed and stitched to others like themselves. They also had eyes, unlike almost everything else in the shop, and they did a better job avoiding Citizen Komarova and not blundering blindly into her.

  By the time of Great Lent, on Clean Monday, almost everyone in N. was hungry, and the fast seemed a necessity more than an imposition. When Citizen Komarova left the shop, chased away by the disturbing goings-on, she walked down the snowpaved streets, wondering to herself at how quiet everything was, before realizing that the missing sounds were those that used to belong to livestock—there was no mooing, bleating, nor clucking; no hissing nor barking nor quacking nor meowing, for that matter. Even the human voices were few and subdued. She walked to the bakery and bought a loaf of bread, dry and raspy with mixed-in chaff. She took it to her garret and crumbled it into a bowl of water, with just a splash of precious sunflower oil, and ate it slowly, chewing each bite a hundred times, stretching it, stretching like a winter night when the sleep would not come. The skin on her neck hung looser, a long sad flap. Her waist however had grown slimmer, and now most of the dresses in the shop were too large for her, their full skirts swirling of their own volition about her feet, and sometimes swaying with enough force to make her stumble or almost knock her off her feet. She wore them all the time now, never sure when Vasily Kropotkin would show up but confident that he would. She did not bother to explain to herself why his arrival was important, and why it mattered if he complimented her flowing skirts and delicate crocheted flowers winding about her throat, so beautiful.